Documentary Photography / Mixed Media Art β’ ilorin Nigeria β’ 3 weeks
Pre-production
1 week
Production
1 week
Post-production
1 week
Published
Launch date relative
This project will create a compelling visual series that documents the ancient, earthen walls of Ilorin, specifically focusing on the sections around the Emir's Palace and the old city quarters. The walls, built with traditional techniques, are both a testament to the city's history and a canvas for contemporary life, from market graffiti to moss patterns. The creative vision is to use the unique low-angle, dusty golden light of the Harmattan season to dramatize these textures, creating images that feel both timeless and urgent. The project will involve a photographer, a graphic designer for overlaying historical text and maps, and a local historian or guide to provide context. The unique angle is the use of analog film and then selective, painterly digital post-processing to mimic the 'fading' effect of the walls themselves. The final series can be exhibited as a local pop-up or as a high-res digital zine for social media, linking the city's past with its present creative scene. What makes this achievable and portfolio-worthy is the focus on a single, deeply local subject that is visually rich and under-documented. It leverages the trend of 'documentary with a fine art twist' and can be completed with a small, dedicated team using minimal gear.
This project will create a compelling visual series that documents the ancient, earthen walls of Ilorin, specifically focusing on the sections around the Emir's Palace and the old city quarters. The walls, built with traditional techniques, are both a testament to the city's history and a canvas for contemporary life, from market graffiti to moss patterns. The creative vision is to use the unique low-angle, dusty golden light of the Harmattan season to dramatize these textures, creating images that feel both timeless and urgent. The project will involve a photographer, a graphic designer for overlaying historical text and maps, and a local historian or guide to provide context. The unique angle is the use of analog film and then selective, painterly digital post-processing to mimic the 'fading' effect of the walls themselves. The final series can be exhibited as a local pop-up or as a high-res digital zine for social media, linking the city's past with its present creative scene. What makes this achievable and portfolio-worthy is the focus on a single, deeply local subject that is visually rich and under-documented. It leverages the trend of 'documentary with a fine art twist' and can be completed with a small, dedicated team using minimal gear.
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